Viewing Metropolis
by Glendon Jeffery
When it comes to our future and technology, how far can we go before we forget our own humanity? This is the main question that came to my mind after watching Metropolis, a silent science fiction film directed by Fritz Lang in 1927. The film presents a provocative vision of a future society almost completely engulfed by technology, where the lives of the wealthy elite contrast sharply with the workers laboring in brutal conditions beneath them. It serves as an early cinematic exploration of the consequences of technological advancement and class division.
One of the film’s central themes is how technology affects the lives of both the upper and lower classes. The wealthy enjoy a life of luxury above, while the workers below are bound to a relentless cycle of repetitive tasks. In one powerful scene, we see a man searching for a woman named Maria. In his search, he stumbles upon a factory filled with workers operating a massive machine. Although the purpose of the machine remains unclear, the conditions of the workers are painfully visible. They move in unison, almost mechanically, appearing more like cogs in a machine than people. One worker, exhausted and struggling to pull levers in a precise rhythm, fails to relieve the machine’s pressure in time, resulting in an explosion. To our protagonist, the machine seems to morph into a monstrous entity devouring the workers, a visual metaphor for the dehumanizing effects of industrialization.
In another scene, we witness a scientist preparing to transfer the essence of Maria into a robot. With Maria strapped to a table and hooked up to an intricate machine, the scientist flips switches and turns knobs, initiating an intense sequence of electrical surges and bubbling beakers. As the experiment nears its climax, Maria’s face gradually appears on the robot. When the process completes, Maria lies lifeless on the table, while her robotic double opens its eyes. This suggests that for Maria and her lover, technology is the only means by which they can transcend the boundaries imposed by their dystopian society.
This story conveys a warning: as society becomes increasingly dependent on technology, human values and connections risk being overshadowed. Watching Metropolis today, nearly a century later, its cautionary themes resonate more than ever. The rapid growth of artificial intelligence is already transforming fields from art and voice acting to creative industries and daily tasks. Perhaps we should view Metropolis not just as an early sci-fi prediction but as a reminder to consider how far we let technology reshape our humanity and sense of purpose.
References:
Lang, F. (Director). (1927). Metropolis [Film]. Universum Film (UFA).